The UK population spends more than £1.3 billion a year on greeting cards. Jakki Brown helps to guide artists to success in this fiercely competitive industry.
The UK greeting card industry leads the world on two counts – design and innovation and per capita send. On average people in the UK send 55 cards a year, 85% of which are bought by women. But just how do you, as an artist, go about satisfying this voracious appetite of the card-sending public?
There are two main options: either to become a greeting card publisher yourself or to supply existing greeting card publishers with your artwork and be paid a fee for doing so. The idea of setting up your own greeting card publishing company may sound exciting, but this decision should not be taken lightly. Going down this route will involve taking on all the set up and running costs of a publishing company as well as the production, selling and administrative responsibilities. This often leaves little time for you to do what you do best – creating the artwork. There are estimated to be around 800 greeting card publishers in the UK, ranging in size from one-person operations to multinational corporations, roughly 200 of which are regarded as ‘serious’ publishers (see page Card and stationery publishers that accept illustrations and photographs).
Finding the right publishers
While some publishers concentrate on producing a certain type of greeting card (e.g. humorous, fine art or juvenile), the majority publish a variety of greeting card ranges. Unfortunately, this makes it more difficult for you as an artist to target the most appropriate potential publishers for your work. There are various ways in which you can research the market, quickly improve your publisher knowledge and, therefore, reduce the amount of wasted correspondence:
Types of publishers
There are two broad categories of publisher – wholesale and direct-to-retail – each employing a different method of distribution to reach the retailer.
Wholesale publishers distribute their products to the retailer via greeting card wholesalers or cash-and-carry outlets. They work on volume sales and have a rapid turn¬over of designs, many being used with a variety of different captions. For example, the same floral design may be used for cards for mothers, grandmothers, aunts and sisters. It is therefore usual for the artist to leave a blank space on the design to accommodate the caption. Until recently, whole¬sale publishers were generally only interested in traditional, cute and juvenile designs, but they now publish across the board, including contemporary and humorous ranges.
Direct-to-retail (DTR) publishers supply retailers via sales agents or reps. Most greeting cards sold through specialist card shops and gift shops are supplied by DTR publishers, which range from multinational corporations down to small, trendy niche publishing companies. These publishers market series of ranges based on distinctive design themes or characters. Categories of DTR cards include contemporary art/fun, fine art, humour, words and sentiment, children’s, photographic, traditional and handmade/hand-finished and, of course, Christmas cards.
Approaching a publisher
Unfortunately, there is no standard way of approaching and submitting work to a card publisher. The first step is to establish that the publisher you wish to approach accepts work from freelance artists; then find out their requirements for submission and to whom it should be addressed. It is always better to send several examples of your work to show the breadth of your artistic skills. Some publishers prefer to see finished designs while others are happy with well-presented sketches. Never send originals: instead supply your images on disk, or as photocopies, laser copies or photographs, and include at least one design in colour. You can initially send your designs to as many publishers as you like, but never be tempt¬ed to sell similar designs to two publishers – a bad reputation will follow you around. Some publishers will be looking to purchase individual designs for specific sending occasions (e.g. new baby, new home, sympathy) while others will be more intent on looking for designs which could be developed to make up a range. Bear in mind that publishers work a long way in advance, for example Christmas ranges are launched to the retailers the previous January.
Development of a range may take up to six months prior to launching. Also remember that cards in retail outlets are rarely displayed in their entirety with many of the racking display systems obscuring part of the design. Therefore, when designing a card make sure that some of the ‘action’ appears in the top half. When interest is shown Some publishers respond to submissions from artists immediately while others prefer to deal with them on a monthly basis. A publisher’s response may be in the form of a request for more submissions of a specific design style or of a specific character. This speculative development work is usually carried out free of charge. Always meet your deadline (news travels fast in the industry).
A publisher interested in buying your artwork will probably then issue you with a contract. This may cover aspects such as the terms of payment; rights of usage of the design (e.g. is it just for greeting cards or will it include giftwrap and/or stationery?); territory of usage (most publishers want worldwide rights); and ownership of copyright or license period. There is no set industry standard rate of pay for greeting card artists. Publishers pay artists either on a per design or per range basis in one of the following ways:
Jakki Brown is editor of Progressive Greetings Worldwide and general secretary of the Greeting Card Association.
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