Writers' & Artists' Blog

Hello! I’m a writer and journalist currently self-publishing my first novel, a psychological thriller called The Ghost.

I chose the self-publishing route because I was eager to get my story into the hands of readers while retaining as much creative control as possible. After attending the Writers & Artists Self-Publishing In The Digital Age conference in November 2014, it seemed clear that self-publishing was the way to achieve that.

I decided to go with Matador, the self-publishing imprint of Troubador Publishing, because of their hybrid approach – offering author autonomy with the industry-standard professionalism of commercial publishing. (They are selective about which books they choose to publish and, to some degree, authors are expected to conform to certain house styles.)

Having spent most of my working life as a writer and editor, I was concerned that my standards would be exacting – or even exhausting. But the Matador publishing team have been unfailingly positive, …

As submissions open for One Big Book Launch 2015, previous winner Atulya K Bingham shares her experience of what it was like to be involved in the collaborative book launch everyone is talking about. Emerging authors can submit their books to be included in this year's event here before April 19th 2015. It's a prize not to be missed!

It was March last year. I was slumped on a kilim in my mud house in Turkey gaping out of my window. A green mob of pine trees clung to the slopes plunging out of sight. I had just pressed the publish button for my debut novel Ayse’s Trail. I never thought I’d see the day; it had taken five years. Now I was broke. This wasn’t Can-I-make-it-until-pay-day? broke. I hadn’t earned a penny for well over 18 months. I was in the realm of broke that prods ‘normal’ people to stare pityingly at the state of your coat. 

It was my own fault. I had quit a career in teaching to build a small mud home and write a novel. Although both were now by some fluke …

I’ve recently made the decision to self-publish my first novel, Oak and Mist. In the interest of getting the process right, I’ve spent a fair amount of time researching and connecting with other self-published authors, wanting to make sure I present the best possible version of my book when it finally goes out into the wide world.

When you decide to self publish there can be a temptation, especially when it’s your first book, to just ‘get it out there’. But once it’s out there that’s it. Every future submission or search for your name will turn up that book, so it’s vital to make sure it’s as polished and professional as possible. Additionally, reviewers have no qualms in pointing out spelling mistakes and grammar errors, which can put potential readers off buying your book.

Every article I’ve read about successful self-publishing has stated that working with a professional editor is a necessary investment in the finished …

It’s true. I think right now is a good time to be an author. Amid all the discussions about whether reading, let alone bookshops and publishers, will survive, it seems to me that there are so many opportunities – many completely new – through which ideas and content can be shared.

But with the enhanced ability to share comes responsibility – both to yourself and your readers. Writers need to be increasingly aware of the need to share their content at the right time – and that usually means not before it is ready. Sharing too soon, or with the wrong audience, can result in negative feedback that not only damages the writing self, but also the writing reputation – reducing the chance the someone who has been disappointed by your work will risk giving their time again.

Also part of the territory is a new need for proactivity on the part of the writer; an ability to take advantage of routes to market that reach readers who appreciate your kind of work, whether it’s through …

We hear from Catherine Horlick, the editor of a new and exciting platform designed to showcase the work of new and established short story writers.

Launching in April 2015, pennyshorts.com will sell short stories of all genres at 50p per click, or an annual subscription of £20. 50% of the proceeds will go to the contributing authors.  The rest will be spent on maintaining and marketing the site. pennyshorts is dedicated to the neglected short story; the twist in the tale, the transformational moment, the glimpse into a different psyche.  All contributions are welcome, from published and unpublished authors, but only the very best stories will make it onto the site, and all stories will be professionally edited and proofread.  

pennyshorts has been created to be a natural home for the short story and to give readers the opportunity to access new voices in fiction.  There is a lot of free content on the internet, but no quality screening, and much of it is …