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Getting Published

Nearly every writer ultimately wants to get their work published – read these blogs for tips and tricks on how to make it happen, from the authors who've already done it and the experts in the industry.

From Idea To Agent

In the first of her blog series for W&A, author Nicola Garrard shares her journey of getting an agent...

If you had asked me, just two weeks ago, how my submissions to literary agents were going, I would have said, ‘Fingers still crossed… should hear in three months.’ I had been sending off my submissions in batches of six and hoping for the best. It looked doubtful; I hadn’t paid for a Creative Writing MA, hired an editor or attended a writers’ retreat. My total spend on my writing career to date had comprised £17 on a copy of the Writers' & Artists’ Yearbook, £20 on a bargain Writers & Artists’ ‘How to Submit your Manuscript’ event in London.

The next week, everything changed.

Two emails appeared in my inbox from agents asking to see the full manuscript and two offering representation. 

A day later, an agent telephoned me. 

I had gone from what felt like months of encouraging rejections, to the kind of interest (and delicious lunches) I had only …

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Writing The Landscape Around You

Ahead the publication of his debut novel Mostyn Thomas and The Big Rave, author Richard Williams discusses the inspiration behind his writing, and why he didn't have to look too far from home for it. 

As a debut writer with no formal literature training/education, the only way I knew I could pull off writing the novel was to be honest and write what I know. This made things quite easy – no real research was required and no studying random strangers’ facial movements on train platforms was ever necessary. I just pictured the people I grew up around, and took quirks from most of them to develop ‘best of’ Pembrokeshire characters – hybrids of four or five different local people to create each individual character in the novel.

I wanted to write about farming, particularly the challenges for the rural industry at the time the novel is set. More often than not Welsh farmers are portrayed as a bit backward, even “twp” (stupid in Welsh) in television and literature. So I …

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Debut Dagger Longlisted

Last Friday, bestselling authors from around the globe gathered at CrimeFest in Bristol to hear the announcement of the Debut Dagger long list...

For fifteen years the CWA has been encouraging new writers with its Debut Daggers; a crime novel competition that attracts hundreds of entries from all over the world. Last year’s winner was from Australia and previous short lists have included authors from India, Canada and New Zealand- so it really is very much an international competition.

This year I plucked up the courage to put myself forward.

‘Believe in yourself,’ my husband said. ‘What have you got to lose?’

The entry fee of £36 is steep compared to other writing contests but I wanted to know if my book was good enough to stand out from the crowd. And given the reputed quality and quantity of the entries, not to mention the judges themselves (most of whom are linked to major publishing houses) I figured it would be a good test of my manuscript’s …

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Finding an Agent: Why You Shouldn’t Give Up

Writing advice

Looking back on my quest to secure an agent and asking myself what my experience has taught me, I find I have very little to pass on to fellow writers. What I discovered is that there are no tricks or short cuts or secret recipes. It’s simply a case of doing what everyone says you must do: write the best book you can, put together a strong submission, keep smiling in the face of rejection and keep sending it out there until someone says yes. It’s as simple as that.

There is one common cause of failure I have noted, which is that people tend to give up too soon. It can take many submissions before you find the right agent for your book, which means steering a course through a number of rejections. One author I heard about set herself a positive target of receiving at least one hundred rejections. This was, I thought, a rather clever way to inure herself against conceding defeat.

So, here are three common reasons I can think of why people give up prematurely.


1. Submission fatigue.

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Same, Same - But Different!

Writers' & Artists' Yearbook 2017

One of the expressions my colleagues in the publishing company I worked for in Singapore would use with great frequency, simultaneously shaking one of their hands in a swift waggling motion, was the wonderful: ‘same, same, but different’. It’s a catch-all phrase that for me, has come to epitomize the content of each new edition of the Writers’ & Artists’ Yearbook – all 816 pages of this big, red tome. Riffle its pages and there is much that readers, writers and illustrators from across the years (a whopping 110 years in fact, as the first edition was published in 1906) will find familiar. But much too that is new: a reflection of the fast pace of change across the publishing industry. The Yearbook has two main strands of content: articles and an extensive directory of contacts.

In each incarnation, there are more than 80 articles packed with advice from successful writers who share their own experiences of being a debut novelist, trying to get poetry published, …

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