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Writing Advice

In this section, you will find a collection of blogs dedicated to writing advice. So, if your manuscript is starting to drive you crazy, or you’re not sure how to get started, read on for the push you need to create your masterpiece.

5 Writing Tips for 2019

12 months in as an aspiring authoress I look back to the first tender weeks of my authorship journey – and give myself a little condescending tap on the head.

I think it’s sweet that I had intended on not only submitting a fully polished novel to competitions and awards, but that I would have found an agent and be well on the way to securing a publishing deal… in one year.

So how did the authoress get on? Where in the process is she now? Let’s skip forward to January 2019… 

I'm on chapter two.

Now let’s get a few things straight – this isn’t because I didn’t do the work, or I was lazy or gave up, far from it. I worked tirelessly, dedicating hours and hours to research, writing, reading, courses…

The past year has taught me a tremendous amount. Not least, the reason I got 15,000 words in to my children’s novel and SCRAPPED it all.

When I set myself a goal, I approach it with dogged focus and determination. I work strictly to a rule book that I create …

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Literary Lessons: Art Matters

Rachel Knightley

From Art Matters by Neil Gaiman. Illustrated by Chris Riddell.

The best writing advice will always be the writing advice that inspires you to get on with the writing. Inspires, not instructs: no there is no great secret, yes it’s hard work and practise makes improvement. My favourite writing guide and favourite memoir, Stephen King’s On Writing, reminds us Dumbo made it into the air because of the magic feather clutched in his trunk, even though the magic was in him all the time. Writing courses and writing retreats and writing buddies and writing manuals are all great feathers. They can get us up there faster. But the magic is always in the elephant, not the feather. 

I have a new feather. It’s Art Matters, a stocking-filler-sized illustrated philosophy of life, art and freelancing. It sits beside my laptop on my windowsill “desk” in the living room. It’s made of three texts by Neil Gaiman – Credo (2015), Why Our Future Depends on Libraries, Reading and Daydreaming

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Literary Lessons: Gratitude

Rachel Knightley

From The Flame by Leonard Cohen (Canongate)

Leonard Cohen’s poetry was sometimes set to music, sometimes sung, sometimes accompanied cartoons, sketches and symbols – the Order of the Unified Hearts intertwining two Stars of David with heart-shaped bends at their tops; the brimmed hat he would doff in concert to the music, to its source, to his audience, to life itself – but whether it appeared in books or in albums, it was always poetry first.

The Flame is edited posthumously, and published just under two years after Leonard Cohen’s death on 7 November 2016. There is a foreword by his son, Adam Cohen, and his editors by Robert Faggen and Alexandra Pleshoyano, in which each says of Leonard Cohen what Leonard Cohen so often and well said of life itself: how unworthy we feel our choices might have been, how unequal we feel to the task. Yet what his verses, his music and, yes, his singing, taught with heartbreaking clarity was that that very appreciation – that gratitude – was

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Is Writing For TV the Same as Writing a Book?

‘I’ve written for children my whole career, writing a novel for children will be a piece of cake, right?’ WRONG.

I have been writing for CBeebies for nearly seven years now, scripts, sketches, poems, songs – you name it, I’ve written it. The turnover of writing at BBC Children’s is fast paced, relentless and absolutely I thrive off it!

I can chat your ear off about how to write a script for Elmo or a song about brushing your teeth, but writing a novel? I’m a complete newbie. 

Last year I decided to go part time and face a new writing challenge, my thought process being something along the lines of: I already write scripts for a living, writing a book is just the same but in a different format, let’s give this a go.

Wow. I did not anticipate the gear change. 

I did not anticipate how utterly lost I would feel in a world that I am supposedly so familiar with. 

But tell me I am not alone in this? There must be some writers out …

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Literary Lessons: Voice

From Melmouth by Sarah Perry (Serpent's Tail 2018)

Rachel Knightley - Melmoth


If you’re reading this I’m sure you’ve felt the ‘what now?’ at the end of a book you’ve loved. It’s most likely to happen with the strongest authorial voices, those fully in command of their world and message. Sarah Perry’s Melmoth is full, sharp and wittily observant in both the story and the telling. Distinctively articulate, it remains unassuming, clarifying without upstaging the action. This is a masterclass in authorial voice, and a solid marriage between research and originality, creating a sparklingly authentic world. 

Melmoth begins with a chance meeting in the street between Helen Franklin – a Prague-based translator living in self-made isolation and penitence for a secret crime of which she accuses herself – and one of the rare people who have managed to slip under the net of her self-denial to become a friend. His panic, and the papers that have come into his possession by the death of a friend …

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