Sign up to the newsletter

How To Edit Your Book

Back to Events

27th January 2018 - 9:30am to 2:30pm



Learn how to become a more objective reader of your work with a day of advice and practical exercises from professional editors in the publishing industry. You will receive help and guidance on how best to approach the editing process, and develop the tools you need to make your work the best it can possibly be ahead of submission to an editor, literary agent or publisher. Along with an invaluable one-to-one session with an editor of your choice, find out how to take your editing to the next level. 


9.30-10.00 Morning refreshments and a chance to meet fellow members of the group you will be attending the morning sessions with.

10.00-11.25 Session One: Avoiding Common Pitfalls 

Find out about the common pitfalls an editor frequently encounters when approaching a manuscript, and how these can be avoided. You will work on practical exercises demonstrating these common pitfalls.

11.30-12.30 Session Two: Becoming An Editor

Learn how to become a reader of your own work rather than its writer, with an opportunity to live edit. 

You will work on a sample text to see what changes you would make, which will then be discussed with the group. Editing isn't an exact science, so we will discuss what editorial choices authors can make and why-and how these impact on the readers. 

12.30-1.00 Both groups will come together for an open networking session with lunch included.

1.00-2.30 A 10-minute one-to-one session with one of the editors in which you will have the opportunity to discuss the extract of your work that you sent in advance of the event.

About Your Extract

Prior to the event you will receive an email from the W&A Team offering you the opportunity to send across a section of your work to be assessed by one of the editors present on the day. This must be a Word or PDF file, contain no more than 2,000 words, appear in 12pt font and be double spaced. 

Editor Profiles

Francine Toon became an editor at Sceptre in 2015 and publishes literary and reading group fiction, including the authors Rowan Hisayo Buchanan, Lindsay Hawdon, Phillip Lewis and Rebecca Mascull. She has worked on a range of different authors during her time at Hodder & Stoughton in the editorial and marketing departments including Stephen King, John le Carré  and E.M. Forster. She is a published poet whose work has appeared in The Sunday Times and Best British Poetry anthologies and is particularly interested in writers from a poetry or short story writing background. You can find her on Twitter @FrancineElena.

Kylie Fitzpatrick is a novelist and Creative Writing tutor and has worked as a freelance manuscript editor for over ten years. Prior to this she worked as a script editor in the U.K, the U.S, and Australia after training at the Australian Film, Television and Radio school. She has worked for the BBC and the Australian Broadcasting Commission. She is the author of four historical novels which have, between them, been published in eleven languages, and and is a lecturer on the Creative Writing degree and MA courses at Bath Spa University. She has an MA and PhD in Creative Writing. 

Because of her teaching experience, Kylie is as comfortable and competent working with writers who needs guidance in the basic principles of narration, composition and character development as she is with more assured and experienced writers. She is passionate about supporting emerging novelists and helping them to refine all aspects of technique, from prose through to plot. She has edited both literary and mainstream fiction, including YA, crime and historical, and also memoir.

Jennifer Kerslake is Editor at Weidenfeld & Nicolson, part of the Orion Publishing Group. She works on literary and reading group fiction, and narrative non-fiction, and is responsible for the W&N backlist.

Final editor profiles to be confirmed shortly.

Event Details

The event will be held at Bloomsbury Publishing, 50 Bedford Square, London WC1B 3DP. Doors will open at 09:30, with drinks provided upon arrival.

Upon booking, please send the 2,000 word extract you wish to discuss in your one-to-one session to