5th September 2020 - 9:30am to 2:30pm
Learn how to become a more objective reader of your work with a day of advice and practical exercises from professional editors in the publishing industry. You will receive help and guidance on how best to approach the editing process, and develop the tools you need to make your work the best it can possibly be ahead of submission to an editor, literary agent or publisher. Along with an invaluable one-to-one session with an editor of your choice, find out how to take your editing to the next level.
9.30-10.00 Morning refreshments and a chance to meet fellow members of the group you will be attending the morning sessions with.
10.00-11.25 Session One: Avoiding Common Pitfalls
Find out about the common pitfalls an editor frequently encounters when approaching a manuscript, and how these can be avoided. You will work on practical exercises demonstrating these common pitfalls.
11.30-12.30 Session Two: Becoming An Editor
Learn how to become a reader of your own work rather than its writer, with an opportunity to live edit.
You will work on a sample text to see what changes you would make, which will then be discussed with the group. Editing isn't an exact science, so we will discuss what editorial choices authors can make and why-and how these impact on the readers.
12.30-1.00 Both groups will come together for an open networking session with lunch included.
1.00-2.30 A 10-minute one-to-one session with one of the editors in which you will have the opportunity to discuss the extract of your work that you sent in advance of the event.
Prior to the event you will receive an email from the W&A Team offering you the opportunity to send across a section of your work to be assessed by one of the editors present on the day. This must be a Word or PDF file, contain no more than 2,000 words, appear in 12pt font and be double spaced.
Sara Starbuck has spent over twenty years working in UK trade book publishing. She has had experience as a commissioning editor, desk editor and development editor, and also as an author’s agent. She currently works as a freelance book editor, proofreader and writer, specialising in fiction, YA and children’s books. Sara is the author of eight published works so far, including the non-fiction memoir Breakfast Epiphanies (Atlantic Books, 2006); the children’s adventure novels, The Dread Pirate Fleur and The Ruby Heart (Random House, 2009) and its sequel, The Dread Pirate Fleur and The Hangman’s Noose (Random House, 2010); The Fairythorn Tales series under the pseudonym, Lara Faraway (Templar Publishing, 2013); and most recently two non-fiction books for children, Lions (Hachette Publishing Group /Born Free Foundation, 2015) and Leopards (Hachette Publishing Group /Born Free Foundation, 2016).
Sara is passionate about storytelling and working with writers. She has a keen eye for a good story and the ability to hone it.
Parul Bavishi has been an editor for over a decade. She previously worked at Random House, Quercus, Eccles Fisher and Cornerstones where she edited a number of inspiring and award-winners novelists. She is now a freelance editor (Publishing Uncovered, The Story Grid) with a focus on thrillers and YA and helps writers prepare for submitting to agents or for publication. She is a co-host on The Story Grid Showrunners podcast where she analyses hit TV shows from an editor's perspective and is the co-founder of the London Writers' Salon.
Natalie Young is an experienced editor and literary consultant working with authors on a range of genres and subjects, both fiction and non-fiction. Formerly a journalist with The Times and an Arts editor for Prospect magazine, Natalie left journalism to focus on creative writing with the success of her second novel Season To Taste in 2014. Since then she has worked as a freelance editor, mentor, and consultant. She has given talks and worked on retreats and is passionate about helping authors to trust their own process and explore ways of finding their own voice. She is currently working on her third novel, supported by grants from Arts Council England and The Royal Literary fund while also working with a screenwriter to adapt Season to Taste for screen. Whatever stage you are at with your writing, Natalie is happy to help.
Cressida Downing has worked in bookselling and publishing for over twenty years. She started at Waterstones in Hampstead, working in the children’s book department for a year before going to Sussex University to read English Literature. After graduation, she worked at Dillons Booksellers in a variety of Central London locations, mainly in charge of the fiction section and was one of the inaugural bookseller judges for their First Fiction Award.
Moving into publishing, she worked at Penguin Books and Piatkus Books. As a freelance editorial consultant for the last twenty years, she has worked with a variety of publishers and literary agents on both fiction and non-fiction titles, as well as directly with authors. She runs workshops and gives lectures on editing and submission, attending conferences such as the Felixstowe Book Festival and the Self Publishing Conference.
Recently she won the inaugural Lindisfarne Prize for an unpublished crime novel set in the North-East, and is hoping to have her first draft finished soon. She also runs Reading Retreats to enable readers to have uninterrupted reading time.
She reads a wide variety of books from crime to sci-fi to fantasy to chic-lit to literary fiction. In non-fiction, her tastes are broad, covering pretty much anything that would be interesting for the lay reader. As the mother of two children, she has rediscovered modern children and teen literature.
Her house is brimming with books, but she also loves her Kindle and embraces Twitter as a way of chatting to authors she admires.
The event will be held at Bloomsbury Publishing, 50 Bedford Square, London WC1B 3DP. Doors will open at 09:30, with drinks provided upon arrival.
Please send the 2,000 word extract you wish to discuss in your one-to-one session to firstname.lastname@example.org.