Start: 30th January 2019 - 6:00pm
Finish: 3rd April 2019 - 8:30pm
Join us for a ten-week course dedicated to helping you transform your novel idea into a fully-fledged manuscript.
Whether you've written half a draft or on your third edit, we've designed this course to help you progress as a writer. Along with giving you the ‘how-to’ writing tools you need to hone your novel-in-progress, your work will be assessed along the way by experts in their fields, all designed to help you take your writing to the next level.
Led by author and creative writing tutor William Ryan, the course will look at essential elements of the writing craft and how you can apply them to your own manuscript, including writing exercises that directly involve the material of your novel-in-progress.
Based at our Bloomsbury offices, evening sessions will last for two and a half hours, from 6-8.30pm, making it ideal for those with full-time jobs and other commitments. There will be opportunities at the beginning and the end of the course to get to know the other writers, as well as William himself.
Rob Scragg, author of What Falls Between The Cracks
Jemima Forrester, literary agent and guest course speaker
There will be a maximum of 12 students in your session, in which you will receive:
- Weekly writing workshops led by William, focusing on extracts from your novel. You will receive at least 3 group critiques – each of up to 1000 words of your work – assessed in a workshop environment
- At least five edited mark-ups of your submissions (depending on number of attendees, this may be more.)
- Weekly teaching sessions on key elements of the writing process from William and other tutors
- Sessions punctuated by takeaway practical advice based around your own writing, each designed to improve your work and enhance its chances of being published
- The opportunity to give and receive constructive feedback on submitted work from your fellow students
- 25 hours of advice from a combination of leading authors and publishing industry professionals designed to help you take your work forward towards publication
- Feedback on your novel’s premise and sample chapters from both William and guest literary agent TBC at the beginning of the course, followed by another chance to pitch the revised version of your novel to Agents TBC at the end of the course
- Exclusive discounts on W&A products and a complimentary copy of the latest edition of the Writers’ & Artists’ Yearbook
- The chance to meet like-minded authors and study at our offices in historic Bloomsbury
Note: Skype and conference call facilities can be arranged for those who would like to access sessions remotely. Please contact Writers & Artists at the email address below for further details.
The workshops will run from 6.00-8.30pm at Bloomsbury Publishing (50 Bedford Square) and will take place on Wednesday evenings. You will be asked to submit extracts from your novel-in-progress prior to the workshop in order to receive written feedback from William and fellow students. These evening sessions will focus on the essential issues crucial to writing your novel, including structure, dialogue, character development and self-editing.
Throughout the course, you will be joined by leading authors and publishing industry experts offering advice designed to help you hone and refine your novel-in-progress. With plenty of opportunity for Q&A's, these sessions will give you a greater insight into the world of publishing, and give you a clear view of what you need to achieve in your writing.
At the beginning of the course you’ll be joined by a guest literary agent, who will have read the opening of your novel plus a one-page synopsis of your novel-in-progress. They will discuss your work and identify the particular areas that you’ll need to work on during the course. Towards the end of the course, students will be asked to submit their work again to the literary agent, who will also be joined by other top literary agents to hear your novel pitches and give their feedback on your submitted synopses and sample writing.
Week 1: Wednesday 30th January
A week prior to the course all attendees should submit a synopsis (no more than 500 words) and sample of your writing (1000 words) to firstname.lastname@example.org by 5pm on the 25th January.
18.00- 19.00: Introduction to the Course
William will be joined by literary agent Jemima Forrester, who will have read and considered the synopses and samples of writing that you have submitted. They will discuss your work and identify the particular areas you should focus on during the course.
19.15-20.30: William will provide an overview of the Basic Technical Aspects of a Novel.
Extras: The attendees to be workshopped will be asked to submit an extract in which they use research, establish atmosphere and/or establish the setting, together with a brief description of where this fits into their story. This will be discussed in Week 2.
Week 2: Wednesday 6th February
18.00-19.00: Research, Atmosphere & Setting
Extras: The attendees to be workshopped will be asked to submit an extract in which a key plot development occurs, together with a brief description of where this fits into their story. This will be discussed in Week 3.
Week 3: Wednesday 13th February
Guest author Elizabeth Buchan will explore the structural requirements of the novel and how they develop their ideas into a finished story. Elizabeth will use her novel The New Mrs Clifton to illustrate her points, with references to her latest novel The Museum of Broken Promises, which will be published this September.
Extras: The attendees to be workshopped will be asked to submit an extract which represent the climax of their story. This will be discussed in Week 4.
Week 4: Wednesday 20th February
18.00-19.00: Testing your Story
William will discuss the structural requirements of fiction in more detail, using as an example his recent novel, The Constant Soldier.
Extras: The attendees to be workshopped will be asked to submit an extract in which they introduce their central character. This will be discussed in Week 5.
Week 5: Wednesday 27th February
18.00-19.00: Testing Your Central Character
Have you chosen the right central character – and can they be improved?
Extras: The attendees to be workshopped will be asked to submit an extract which shows the relationship between a subsidiary character and the central character. This will be discussed in Week 6.
Week 6: Wednesday 6th March
18.00-19.00: Testing Your Subsidiary Characters
Your story is a world that needs populating – have you chosen the right characters?
Extras: The attendees to be workshopped will be asked to submit an extract in which they show a key conversation taking place, together with a brief description of where this fits into their story and what the characters motivations are. This will be discussed in Week 7.
Week 7: Wednesday 13th March
Your story needs conversation: in this session, William will explore the art and function of dialogue.
Extras: The attendees to be workshopped will be asked to submit an extract that marks the beginning of their story. This will be discussed in Week 8.
Week 8: Wednesday 20th March
18.00-19.00: First Chapters, Scenes, Pace & Tension
In this session, William work through and explore these essential ingredients of the novel.
Extras: All attendees will be asked to submit an extract which they have found problematic or would like to discuss, together with a brief description of where this fits into their story. They will also be asked to submit a 300-word synopsis of their novel in order to assist in preparation for submitting to the guest agents in Week 10. These will be discussed in Week 9.
Week 9: Wednesday 27th March
18.00-19.00: Editing, Polishing & Synopses
Editorial Director Alison Hennessey will explain the essential skills necessary to review your writing objectively and improve it, as well as the art of the synopsis. They will also discuss what they look for in prospective authors, what authors can expect from them, how the publishing process works and how submitted novels change from first drafts to published books.
Extras: At the end of Week 9 all attendees will be asked to submit an extract from their novel as well as a synopsis, and asked to prepare a one-minute pitch in preparation for the pitching session in Week 10.
Week 10: Wednesday 3rd April
18.00-19.00: Introducing Your Novel to the World of Publishing
Literary agent Jemima Forrester will rejoin William to hear your pitches and give their feedback on your submitted synopses and sample writing. Also joining them will be fellow literary agent Oli Munson.
Extras: This final session will conclude with a refreshments and the opportunity to review the course and ask any final unanswered questions you might have.
William will read and mark up all work submitted during the course – highlighting areas which may need work and pointing out areas of strength. In addition you will be expected to read and give constructive feedback on the submitted work of the other students, as will the other students be expected to constructively feedback on your work.
William Ryan has written four historical novels which have been shortlisted for numerous awards, including the Theakstons Crime Novel of the Year, The Kerry Group Irish Fiction Award, the HWA Gold Crown for Historical Fiction, the Crime Writers Association’s Steel, Historical and New Blood Daggers and the Irish Crime Novel of the Year (three times). William teaches creative writing at City University in London and has previously taught at the University of East Anglia. His new novel, A House of Ghosts, will be published in October
Elizabeth Buchan began her career as a blurb writer at Penguin Books after graduating from the University of Kent with a double degree in English and History. She moved on to become a fiction editor at Random House before leaving to write full-time. Her novels include the award-winning Consider the Lily and the international bestseller, Revenge of the Middle-Aged Woman, which was made into a CBS Primetime Drama. Later novels included Daughters, I Can’t Begin to Tell You, a story of SOE agents and resistance in wartime Denmark and The New Mrs Clifton which is set in London and Berlin in 1945. Her latest, The Museum of Broken Promises, will be published in September 2019.
Elizabeth Buchan’s short stories are broadcast on BBC Radio 4 and published in magazines. She has reviewed for The Times, the Sunday Times and the Daily Mail, and has chaired the Betty Trask and Desmond Elliot literary prizes. She has been a judge for the Whitbread First Novel Award and for the 2014 Costa Novel Award. She is a patron of the Guildford Book Festival and co-founder of the Clapham Book Festival.
Jemima joined David Higham in September 2016 having previously been senior commissioning editor at Orion Publishing Group. She is looking for commercial and upmarket fiction, including crime and thrillers, psychological suspense, accessible literary fiction, women’s fiction and speculative/high-concept novels.
Jemima loves distinctive narrative voices, well-paced, intriguing plots and characters that leap off the page. Her favourite books of recent years include Elizabeth is Missing, Disclaimer, Life After Life, The Night Circus, Me Before You and anything by Jo Nesbø, Margaret Atwood or Curtis Sittenfeld.
In non-fiction, she is looking for innovative cookery, popular-culture and lifestyle projects, unique personal stories and humour.
Alison Hennessey is the Editorial Director of Raven Book, an imprint at Bloomsbury specialising in literary crime and thrillers, gothic and suspense. Her published books include award-winning The Seven Deaths of Evelyn Hardcastle by Stuart Turton, and The Silent Companions by Laura Purcell. Prior to Bloomsbury, she worked at Random house for eleven years, publishing authors ranging from number one bestsellers like Jo Nesbo and Ruth Ware.
Oli Munson is an agent and director at A.M Heath, where he has a growing list of varied authors; although he's always been a sucker for commercial fiction that has the Holy Trinity of pace, plot and character.
A significant part of his list is comprised of award-winning, bestselling authors of crime, suspense, and thrillers, but he also loves speculative fiction with high concept plots; although not the type of science fiction or fantasy that would solely be found on the SFF table of a bookshop.
Oli is on the hunt for commercial fiction with an emotional heart, compelling underdog stories with unlikely heroes and heroines. On the non-fiction front, he enjoys sports writing and narrative non-fiction exploring contemporary social issues.
FURTHER SPEAKERS TO BE CONFIRMED SHORTLY
The course will be held at Bloomsbury Publishing, 50 Bedford Square, London, WC1B 3DP.
The course fee of £950 (inc VAT) per student is payable in full online. Please do contact us to discuss an instalment payment plan by calling us on 0207 631 5985 or by sending an email to email@example.com
Please note that opportunities to partake in this course via Skype are available, so do get in touch with us on the above email if you’re interested in finding out more.
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