Start: 4th September 2019 - 6:00pm
Finish: 6th November 2019 - 8:30pm
Join us for a ten-week course dedicated to helping you transform your novel idea into a fully-fledged manuscript.
Whether you've written half a draft or on your third edit, we've designed this course to help you progress as a writer. Along with giving you the ‘how-to’ writing tools you need to hone your novel-in-progress, your work will be assessed along the way by experts in their fields, all designed to help you take your writing to the next level.
Led by author and creative writing tutor William Ryan, the course will look at essential elements of the writing craft and how you can apply them to your own manuscript, including writing exercises that directly involve the material of your novel-in-progress.
Based at our Bloomsbury offices, evening sessions will last for two and a half hours, from 6-8.30pm, making it ideal for those with full-time jobs and other commitments. There will be opportunities at the beginning and the end of the course to get to know the other writers, as well as William himself.
Rob Scragg, author of What Falls Between The Cracks
Jemima Forrester, literary agent and guest course speaker
There will be a maximum of 12 students in your session, in which you will receive:
- Weekly writing workshops led by William, focusing on extracts from your novel. You will receive at least five edited mark-ups of your submission – each of up to 1000 words of your work (depending on number of attendees this may be more), of which there will be three group critiques assessed in a workshop environment
- Weekly teaching sessions on key elements of the writing process from William and other tutors
- Sessions punctuated by takeaway practical advice based around your own writing, each designed to improve your work and enhance its chances of being published
- The opportunity to give and receive constructive feedback on submitted work from your fellow students
- 25 hours of advice from a combination of leading authors and publishing industry professionals designed to help you take your work forward towards publication
- Feedback on your novel’s premise and sample chapters from both William and guest literary agent at the beginning of the course, followed by another chance to pitch the revised version of your novel to agents at the end of the course
- Exclusive discounts on W&A products and a complimentary copy of the latest edition of the Writers’ & Artists’ Yearbook
- The chance to meet like-minded authors and study at our offices in historic Bloomsbury
Note: Skype and conference call facilities can be arranged for those who would like to access sessions remotely. Please contact Writers & Artists at the email address below for further details.
The workshops will run from 6.00-8.30pm at Bloomsbury Publishing (50 Bedford Square) and will take place on Wednesday evenings. If you are due to receive feedback one week, you will be asked to submit extracts from your novel-in-progress prior to the workshop. These evening sessions will focus on the essential issues crucial to writing your novel, including structure, dialogue, character development and self-editing.
Throughout the course, you will be joined by leading authors and publishing industry experts offering advice designed to help you hone and refine your novel-in-progress. With plenty of opportunity for Q&As, these sessions will give you a greater insight into the world of publishing, and give you a clear view of what you need to achieve in your writing.
At the beginning of the course you’ll be joined by a guest literary agent, who will have read the opening of your novel plus a one-page synopsis of your novel-in-progress. They will discuss your work and identify the particular areas that you’ll need to work on during the course. Towards the end of the course, students will be asked to submit their work again to the literary agent, who will also be joined by another agent to hear your novel pitches and give their feedback on your submitted synopses and sample writing.
Week 1: Wednesday 4th September
A week prior to the course all attendees should submit a synopsis (no more than 500 words) and sample of your writing (1000 words) to firstname.lastname@example.org.
18.00- 19.00: Introduction to the Course
William will be joined by literary agent Jemima Forrester, who will have read and considered the synopses and samples of writing that you have submitted. They will discuss your work and identify the particular areas you should focus on during the course.
19.15-20.30: William will provide an overview of the Basic Technical Aspects of a Novel.
Extras: The attendees to be workshopped in Week 2 will be asked to submit an extract in which they use research, establish atmosphere and/or establish the setting, together with a brief description of where this fits into their story. This will be discussed in Week 2.
Week 2: Wednesday 11th September
18.00-19.00: Research, Atmosphere & Setting
Extras: The attendees to be workshopped in Week 3 will be asked to submit an extract in which a key plot development occurs, together with a brief description of where this fits into their story. This will be discussed in Week 3.
Week 3: Wednesday 18th September
Guest author TBC will explore the structural requirements of the novel and how they develop their ideas into a finished story.
Extras: The attendees to be workshopped in Week 4 will be asked to submit an extract which represents the climax of their story. This will be discussed in Week 4.
Week 4: Wednesday 25th September
18.00-19.00: Testing your Story
William will discuss the structural requirements of fiction in more detail, using as an example his recent novel, The Constant Soldier.
Extras: The attendees to be workshopped in Week 5 will be asked to submit an extract in which they introduce their central character. This will be discussed in Week 5.
Week 5: Wednesday 2nd October
18.00-19.00: Testing Your Central Character
Have you chosen the right central character – and can they be improved?
Extras: The attendees to be workshopped in Week 6 will be asked to submit an extract which shows the relationship between a subsidiary character and the central character. This will be discussed in Week 6.
Week 6: Wednesday 9th October
18.00-19.00: Testing Your Subsidiary Characters
Your story is a world that needs populating – have you chosen the right characters?
Extras: The attendees to be workshopped in Week 7 will be asked to submit an extract in which they show a key conversation taking place, together with a brief description of where this fits into their story and what the characters motivations are. This will be discussed in Week 7.
Week 7: Wednesday 16th October
Your story needs conversation: in this session, William will explore the art and function of dialogue.
Extras: The attendees to be workshopped in Week 8 will be asked to submit an extract that marks the beginning of their story. This will be discussed in Week 8.
Week 8: Wednesday 23rd October
18.00-19.00: First Chapters, Scenes, Pace & Tension
In this session, William work through and explore these essential ingredients of the novel.
Extras: All attendees will be asked to submit an extract which they have found problematic or would like to discuss, together with a brief description of where this fits into their story. They will also be asked to submit a 300-word synopsis of their novel in order to assist in preparation for submitting to the guest agents in Week 10. These will be discussed in Week 9.
Week 9: Wednesday 30th October
18.00-19.00: Editing, Polishing & Synopses
Editorial Director (guest TBC) will explain the essential skills necessary to review your writing objectively and improve it, as well as the art of the synopsis. They will also discuss what they look for in prospective authors, what authors can expect from them, how the publishing process works and how submitted novels change from first drafts to published books.
Extras: At the end of Week 9 all attendees will be asked to submit an extract from their novel as well as a synopsis, and asked to prepare a one-minute pitch in preparation for the pitching session in Week 10.
Week 10: Wednesday 6th November
18.00-19.00: Introducing Your Novel to the World of Publishing
Literary agent Jemima Forrester will rejoin William to hear your pitches and give their feedback on your submitted synopses and sample writing. Also joining them will be fellow literary agent Oli Munson.
Extras: This final session will conclude with a refreshments and the opportunity to review the course and ask any final unanswered questions you might have.
William will read and mark up all work submitted during the course – highlighting areas which may need work and pointing out areas of strength. In addition you will be expected to read and give constructive feedback on the submitted work of the other students, as will the other students be expected to constructively feedback on your work.
William Ryan has written four historical novels which have been shortlisted for numerous awards, including the Theakstons Crime Novel of the Year, The Kerry Group Irish Fiction Award, the HWA Gold Crown for Historical Fiction, the Crime Writers Association’s Steel, Historical and New Blood Daggers and the Irish Crime Novel of the Year (three times). William teaches creative writing at City University in London and has previously taught at the University of East Anglia. His new novel, A House of Ghosts, will be published in October
Jemima Forrester joined David Higham in September 2016 having previously been senior commissioning editor at Orion Publishing Group. She is looking for commercial and upmarket fiction, including crime and thrillers, psychological suspense, accessible literary fiction, women’s fiction and speculative/high-concept novels.
Jemima loves distinctive narrative voices, well-paced, intriguing plots and characters that leap off the page. Her favourite books of recent years include Elizabeth is Missing, Disclaimer, Life After Life, The Night Circus, Me Before You and anything by Jo Nesbø, Margaret Atwood or Curtis Sittenfeld.
In non-fiction, she is looking for innovative cookery, popular-culture and lifestyle projects, unique personal stories and humour.
Ian McGuire grew up near Hull and studied at the University of Manchester and the University of Virginia, USA. He is the founder and co-director of the University of Manchester's Centre for New Writing. His stories have been published in the Chicago Review, Paris Review and elsewhere, and his first novel was Incredible Bodies. The North Water is his second novel.
Alison Hennessey has worked in publishing for fifteen years, beginning her editorial career as an assistant on the Penguin Classics list. She worked in the Vintage division of Random House for eleven years, the last four years of which were spent commissioning for the Harvill Secker imprint, where her authors included Sunday Times bestseller Jo Nesbo, New York Times bestseller Ruth Ware and multi award-winner, Denise Mina. While there she was chosen as one of the Evening Standard’s Most Influential Londoners for her work on books in translation.
In 2016 she moved to Bloomsbury to set up and run a new imprint, Raven Books, specialising in literary crime, thrillers and gothic fiction and her authors there include Laura Purcell, Stuart Turton. Eva Dolan, Julie Mayhew and many more.
Harry Illingsworth studied English Literature and Creative Writing at Northumbria University before moving to London to work in publishing.
He completed internships at Michael O’Mara Books, HarperCollins and Pan Macmillan, gaining experience in different departments of the publishing industry. It was during his placement at Macmillan that he met David Headley and he was invited to join the team at Goldsboro Books, where he is currently the Marketing and Communications Manager, and a Literary Agent at the DHH Literary Agency.
Harry loves genre fiction and is looking for novels with commercial crossover appeal. He loves science fiction and fantasy of all kinds, especially gritty and epic, and is looking for speculative fiction and strong high-concept crime / thrillers with an original narrative and voice (no screenplays). Please do not send him YA, unless there is clear adult appeal. More than anything, he wants to be entertained, but a strong writing style is essential. Some of his favourite authors include Joe Abercrombie, Pierce Brown, Anthony Ryan, Emily St. John Mandel, Scott Lynch and Ted Chiang.
The course will be held at Bloomsbury Publishing, 50 Bedford Square, London, WC1B 3DP.
The course fee of £950 (inc VAT) per student is payable in full online. Please do contact us to discuss an instalment payment plan by calling us on 0207 631 5985 or by sending an email to email@example.com
Please note that opportunities to partake in this course via Skype are available, so do get in touch with us on the above email if you’re interested in finding out more.
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