Our 'Beat the Rejection' editing service offers the unique opportunity of a 30-minute consultation with a literary agent to discuss your manuscript submission.
Our 'Beat the Rejection' editing service offers the unique opportunity of a 30-minute consultation with a literary agent to discuss the opening of your manuscript and accompanying submission documents.
Whether you're just beginning your search for a prospective agent and would like some advice before sending your manuscript out on submission, or you've received a round of rejection letters and would like an assessment of what to do next, this service provides an invaluable opportunity to receive dedicated feedback. This means hints and tips on how improvements can be made to your covering letter, synopsis and opening chapters, as well as discussion around the wider context of where your book sits within the current marketplace and other steps to consider if your book is to have the best possible chance of gaining representation*.
*Please note: your consultation does not, in any way, guarantee an offer of representation is made by the agent
This service provides the following:
Each 30-minute consultation costs £225 (inc. VAT), with payment taken upon booking. The consultations take place at our offices 50 Bedford Square, London, or arrangements can be made for a phone call/Skype consultation.
When clicking on the
Before proceeding to payment, you will need to upload the following documents:
Your covering letter should be addressed to the literary agent that you would like to see for your 30-minute consultation, and be no more than two pages long. Within your covering letter you should include:
The synopsis is a technical document that states what happens in your story from beginning to end. It can include spoilers and acts as a guide, allowing the agent to look at your story structure should they request to see your full manuscript.
To smooth the process further, please submit your work as a Word.doc file, number the pages of your submission, and use a standard typeface such as Times New Roman in 12pt and double-spaced.
Imogen Pelham - Marjacq Scripts
Imogen Pelham is a literary agent at Marjacq Scripts, representing authors including Costa Short Story Award winner Angela Readman, Wellcome Prize shortlisted Emily Mayhew and Encore Prize longlisted Olivia Glazebrook. Prior to Marjacq, she worked at Aitken Alexander Associates for five years where she began building her list whilst working alongside Gillon Aitken. She represents literary and high-end commercial fiction, as well as a range of non-fiction including history, psychology, travel and food.
Davinia Andrew-Lynch - ANDLYN Literary Agency
Davinia Andrew-Lynch is the founder of ANDLYN, a boutique agency dedicated to children's fiction and content. The aim of the agency is to find authors whose material can not only exist on the page but can also find an outlet through other media territories. Davinia was previously an associate agent at a highly reputable film and television agency, and worked simultaneously as a freelance children's fiction editor and reader for various publishers, literary agencies, consultancies and scouts.
ANDLYN are actively looking for new talent and want to discover stories that will smack them between the eyes and capture their hearts. They welcome picture books, middle grade, young adult and cross-over fiction alongside non-fiction material and represent both writers and illustrators.
Davinia is also expanding into commercial fiction and has a particular love of ‘out of the box’ cosy crime/mystery.
Thérèse Coen - Hardman Swainson Literary Agency
Thérèse Coen was born and raised in Belgium and moved to England in her late teens with her family, and then stayed in London to do a History degree and Masters at University College London. Having been brought up bilingual, speaking French and Dutch, then picking up German and English later on, translation rights seemed like a very logical next step. Her first job in publishing was at Bloomsbury Publishing, where she started as an intern and left as Rights Executive. Thérèse then worked at Ed Victor Ltd where she was lucky enough to learn from one of the most renowned and experienced literary agents in the world, handling huge celebrity titles alongside Booker-prize winning authors.
Thérèse has been building her own list of authors alongside selling translation rights since early 2016 and is now Rights Director and agent at Hardman Swainson. She is happy to cut her teeth on genres across the board and loves nothing more than keeping her reading and her authors an exciting and wide-ranging mix of styles and readerships.
Within these varied spheres, what is needed to grip Thérèse is an original concept or hook, polished and pacey writing, captivating worlds and always a strong kick-ass protagonist, be they fictionalised or real. She wants original, distinct and memorable voices, books that make you feel (tie your heart in a million knots or smash it into a million pieces), laugh until you have a stitch, or stay with you and make you ponder for weeks. For non-fiction, Thérèse wants these books to teach her, without making her feel ignorant.
Lydia Silver - Darley Anderson Children's Book Agency
Lydia recently joined the Darley Anderson Agency and is looking to build the children’s list. With a background in middle grade and YA fiction, Lydia is particularly looking for magical middle grade adventures, funny contemporary stories and YA novels with an unusual voice. Above all, she wants to find stories with wit, charm and heart.
She’s also got an eye out for clever, engaging picture books and is developing the non-fiction side of the children’s list. She loves working editorially with writers and is always on the lookout for new talent. Lydia is actively looking for submissions from Black, Asian and Minority Ethnic, LGBTQ and all other under-represented writers.
Megan Carroll - Watson Little
Megan graduated from Goldsmiths with a BA in English and American Literature in 2013 and worked as an intern at Watson, Little and Caroline Sheldon Literary Agency before returning to the agency as the assistant in July 2014. She is now an Associate Agent and is building her own list.
Megan is looking for commercial fiction & reading group fiction with original voices and an interesting hook, YA with realistic themes and characters, memoir and good narrative non-fiction writing on film and popular culture. She’s especially keen on finding debut authors as well as growing a list of talented illustrators. Megan is also interested in discovering new, quirky and imaginative voices across all ages in Children’s Fiction.
Emma Finn - Conville & Walsh
Emma Finn is actively building her list of exciting new writers of both fiction and narrative non-fiction. On the fiction side, she read widely so doesn't like to be too prescriptive, but loves novels that explore those moments that define our lives and collective experience: falling in or out of love; dealing with loss; navigating frailty, friendship, dysfunction or loneliness. And she's drawn to novels about families, relationships of all kinds, that are sharply observed with a clever psychology.
Above all Emma is drawn to a strong voice, characters she wants to drop everything to spend time with and beautiful, confident writing that grabs you by the hand from the first page and pulls you headlong into a memorable story. She's not particularly led by genre but is broadly on the lookout for literary / upmarket book group fiction, high concept novels and crime or thrillers driven by a compelling lead. Please note she doesn't' represent children's or YA fiction.
Emma would also love to see great food writing, big ideas books that help us to think about the world today, pop science, memoir or life writing and narrative non-fiction of all kinds, although she's particularly keen to find new writing on race, gender and sexuality.
Emma is available for sessions in person or over the phone.
Laura Williams - Greene and Heaton
Laura Williams joined Greene and Heaton as an agent in 2018. She worked at Peters Fraser and Dunlop from 2011, after completing a degree in Classics at Oxford. She is actively building a fiction list and a small non-fiction list. She is currently looking for literary fiction, edgy commercial fiction, psychological thrillers and high-concept contemporary young adult, as well as narrative non-fiction of all types. Her taste is quite dark, and she loves gothic, ghost stories, horror and anything sinister. She also loves books that make her cry, from a big love stories to intense family dramas.