Inspiration is for Amateurs

by Adrian Sroka
4th March 2017

‘Inspiration is for amateurs’ - Jule Styne.

Styne was an English born composer who had a string of hits in Broadway Musicals. He could name Frank Sinatra as a friend.

Styne was being, practical not insulting, when he said, ‘Inspiration is for amateurs’. What he meant is that inspiration is useless if you don’t know your craft.

A would-be author must have a firm grasp of the aspects of the novel before they start writing - or be doomed to fail.

What are the aspects of a novel?

My professor taught me that there are seven fundamental parts to a novel.

1) Theme

2) Character

3) Plot

4) Setting

5) Structure

6) Style

7) Drama

These may be patently obvious to some of you, but a would-be author must be proficient in all, in order to succeed. Numerous creative writing books have been written on each item on my list, but to be brutally honest, even those written by successful writers are mostly of a poor standard.

I cite Stephen King as an example. Stephen King has the fantastic ability to chill with words, but his book on creative writing, fails miserably. It is mainly a semi-autobiography with little information about creative writing, and what there is has been taken from the books of literary experts. King’s book proves that brilliant writers don’t necessarily make the best teachers.

I can, however, suggest some excellent books, which I acquired on the advice of my literary professor. Others on this site have private messaged me to say how they have helped them enormously.

1) Aspects of the Novel - E M Forster. (Passage to India, Howards Way, Room With a View). A book for novices’.

2) The Elements of Style by William Strunk jr. and E. B. White (Charlotte's Web). Search for the latest edition. This book is vital for those that wish to learn to write in the active voice, because failure to do so, will result in instant rejection from an agent.

3) The Art and Craft of Novel Writing – Oakley Hall. A fantastic book that covers many aspects of creative writing.

4) How Fiction Works - Oakley Hall. Another brilliant book by Oakley Hall.

5) Learning to Write Fiction from the Masters by Barnaby Conrad. Barnaby Conrad held weekly, creative writing course in Santa Barbara.

6) The Complete Guide to Writing Fiction - Barnaby Conrad.

7) Sol Stein on Writing - Sol Stein. Sol and some of his friends set up the actors’ studio in New York. Sol was a publisher, editor, best-selling author and award winning lecturer on creative writing at American Universities. Famous authors came each year to attend his lectures. Sol was a friend of Barnaby Conrad.

8) Solutions for Novelists - The Secrets of a Master Editor by Sol Stein.

9) Characters Make Your Story - Maren Elwood, who was a renowned creative writing teacher.

10) Write the Short Short - Maren Elwood. An excellent book for those who wish to write short Stories. Some of the content in Maren Elwood’s book is dated, but there is so much useful information to make buying both copies worthwhile purchases.

I’m sure that many of you have read books on creative writing, and believe you know what you’re doing. For those of you that haven’t, I suggest you check the reviews on Amazon. You can buy cheap second hand copies for a few pounds.

We are all apprentices in a craft where no one ever becomes a master – Hemingway

Do you believe that inspiration is for amateurs?

I hope that helps.

Adrian Sroka.

Replies

Inspiration is for amateurs. It's also the word for breathing in. Guess that makes us all amateurs.

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Daphne Milne
07/03/2017

I read a biography of Jule Styne that said that he LOVED insulting people (as did his friend, F&%#@ Sinatra). But Styne never dared to insult Sin atra.

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Emilie van Damm
06/03/2017

[Politically incorrect] quotes about SEXUALITY from At Swim-Two-Birds: [Uncle:] 'I know the studying you do in your bedroom. Damn the studying you do in your bedroom.' I denied this. (p.11); Who [but story-tellers] could think to turn the children of a king into white swans with the loos of their own bodies … changing the fat white legs of a maiden into plumes and troubling her [19] body with shameful eggs? (p.20); BRINSLEY: Slaveys, he considered, were the Ford cars of humanity … [b]ut they were grand girls and there was nothing he liked better, he said. (p.32.) He was apparently not a virgin, although it is admittedly difficult to establish this attribute with certainty in the male. (p.40.) Hastily I covered such sheets as contained reference to the forbidden question of the sexual relations. (pp.91-92.) chastity is truth and truth is an odd number. (p.106); the kangaroolity of women (p.106.) It is indisputable […] that a woman kangaroo is provided with a built-in bag wherein youngsters and trinklets may be stored until such time as they are required […] (p.107.) It is possible that my kangaroo has hidden them in her pouch, for by the hoke there was never a child there. (p.108.) invert my kangaroo the way my lost property will fall out on the hard stones of my poor kitchen (p.109); If you are a the woman class I must courteously ask you to turn your back / I have no back to turn, said the Good Fairy (p.111.) A marsupial is another name for an animal that is fitted with a built-in sack the way it can carry its young ones about. […] If that is a marsupial, said the Pooka courteously, where is the difference? Surely the word kangaroo is more descriptive [of woman]? (p.123.) Three clean respectable women to cut the bread (p.137.) Granya was certainly a very fine-looking lump of a girl. (p.141.) Doubts as to the sex of cattle […] arise only when the animal is early in its youth and can easily be resolved by the use of a prongs or a probing instrument, or - better still - a magnifying glass (p.173.) […] a female of the slavey class […] When she left me to go to him, she was a good girl and attentive to her religious duties. […] When she returned to me she was in a certain condition (p.199.) When not in advanced pregnancy, a cow will suffer extreme discomfort if not milked at least once in twenty-four hours. (p.203.) […] another important office discharged by a cow-keeper, a seasonal rite not entirely unconnected with the necessity for providing milk for our great-grandchildren … (p.204.) […] ill-conditioned attempt […] to introduce into the proceedings an element of smut […] (p.205.)

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